Cheng Pei-kai

Cultural Historian

After graduating from National Taiwan University in Western Literature, Professor Pei-kai Cheng obtained his PhD in Chinese Cultural History from Yale University in 1980 and was a John King Fairbank post-doctoral fellow at Harvard University in 1981. He taught at State University of New York at Albany, Yale University and Pace University in New York for 20 years. He later founded the Chinese Civilization Center at City University of Hong Kong in 1998, serving as its director until his retirement in 2013. He has been a visiting professor at Zhejiang University, Peking University and University Professor at Fengjia University in Taiwan. Awarded the Medal of Honor by the Hong Kong government in 2016, he is now chairman of the Hong Kong Intangible Cultural Heritage Consultation Committee. He has published more than 30 books, and edited various series of collections on Chinese history and culture. His research interests cover a wide spectrum of academic subjects on Chinese culture, such as late Ming culture and Tang Xianzu, transcultural aesthetics, tea culture, Chinese export porcelain, and English translation of Chinese classics. He is also the founder of Chinese Culture Quarterly and has been its editor-in-chief since 1986.

A couple poses during a pre-wedding photo session on the promenade on the Bund along the Huangpu River in Shanghai, China, on 24 September 2021. (Hector Retamal/AFP)

The crux of gender inequality is that men have always objectified women

Rather than addressing the symptoms of gender inequality such as restrictions on career prospects and freedom, says Cheng Pei-kai, we need to look at the deeper issue of the objectification of women. Chinese history and literature texts are replete with examples of this tendency. Mindful reading of the classics and an awareness that women are still objectified in modern life will go some way in changing mindsets. Whether in art or life, women are complex like anyone else and their characters and emotions need to be fleshed out before they can be truly seen for who they are.
In this file photo taken on 6 March 2021, demonstrators throw masks into a fire during a mask burning event to protest Covid-19 restrictions, at the Idaho Statehouse in Boise, US. (Nathan Howard/Getty Images North America/AFP)

How the pandemic overturned my understanding of Americans

Like many of us experiencing pandemic days, cultural historian Cheng Pei-kai spent the last two years living quietly. Even now, scenes on television are rife with pandemic news in the US. Watching health workers refusing to get vaccinated or the population spurning masks in defence of their freedoms, Cheng wonders why some people are willing to be “martyrs” for the cause they believe in. Or worse, are they just foolishly courting the virus? Maybe this really shows a great gulf in attitudes between the East and West.
Thousands of supporters of former US President Donald Trump listen to local and state politicians speak during a "Save America" rally at York Family Farms on 21 August 2021 in Cullman, Alabama, US. (Chip Somodevilla/Getty Images/AFP)

Pandemic diary (Chapter 6): When democracy is despotic

Like many of us experiencing pandemic days, cultural historian Cheng Pei-kai spent the last two years living quietly. But that is just the outward appearance of calm. Inside, he seethes with indignation as he rues the politics of life and greed, the democracy that politicians tout and the world that will be changed yet oddly stay the same after Covid-19. Have we come to a stage where not even a pandemic can teach us the lessons we need to learn?
Demonstrators gathered outside the Massachusetts State House in Boston to protest Covid-19 vaccination and mask mandates. (Joseph Prezioso/AFP)

Pandemic diary (Chapter 5): The huge difference between Hong Kong and American societies

Like many of us experiencing pandemic days, cultural historian Cheng Pei-kai spent the last two years living quietly. With all gatherings cancelled, he only had the incessant news on the coronavirus for company. On one occasion, an interview on American television was particularly jarring: someone was lambasting social distancing rules and venting her frustrations at the disruptions to everyday life. Where do people have the gall to blame everyone but themselves? Did the pomposity of their country’s leader rub off on them? Cheng felt the huge difference between American and Hong Kong societies.
People look at a billboard showing former US President Donald Trump in Times Square in New York, US, 14 October 2021. (Eduardo Munoz/Reuters)

Pandemic diary (Chapter 4): The president who spread a political virus

Like many of us experiencing pandemic days, cultural historian Cheng Pei-kai spent the last two years living quietly. He dwelled in his home in Hong Kong’s Wu Kai Sha, but he was never far from the drama of global Covid-19 news, beamed in from TV and computer screens. The pomposity of one politician stood out — in the face of a life-threatening disease, how could the leader of the world’s largest economy and even the league of nations have set such a poor example and gotten away with it?
In this elevated view, a man sits on a bench along the flags of the 'In America: Remember' public art installation near the Washington Monument on 19 September 2021 in Washington, DC, US. (Al Drago/Getty Images/AFP)

Cultural historian Cheng Pei-kai: Life and death are predestined, and wealth and poverty are heaven’s arrangement

Like many of us experiencing pandemic days, cultural historian Cheng Pei-kai spent the last two years living quietly. Early last year as the pandemic started getting widespread in the US, he mused about the irony of the situation: the ancients were led by the nose by plagues and could only lift their prayers to the gods. Today, medical technology may be more advanced but a cunning coronavirus has once again brought populations into a tailspin. But even as fate plays tricks, politicians still spend their energy mulling over battling the pandemic without bringing down Wall Street. Are humans just cogs in the economy, and even a plague won’t change that?
Visitors walk through a display of lanterns ahead of the mid-autumn festival at Wong Tai Sin temple in Hong Kong on 18 September 2021. (Peter Parks/AFP)

Cultural historian Cheng Pei-kai: The power of the individual during a pandemic

Like many of us experiencing pandemic days, cultural historian Cheng Pei-kai spent the last two years living quietly. When the virus was just starting to spread in Wuhan last year, he was in Shenzhen but managed to cross back to Hong Kong before the lockdowns. As he left the material life behind and got into the rhythm of staying at home, he sought solace in books, calligraphy and his beloved Kunqu opera. For all the things that are out of our hands, at least we have gained time for introspection, self-reflection and growth. That much is within our control.
This picture shows messages posted on windows by quarantined guests at a hotel in Hong Kong on 26 September 2021. (Peter Parks/AFP)

Cultural historian Cheng Pei-kai: The best antidote for surviving the pandemic

Like many of us experiencing pandemic days, cultural historian Cheng Pei-kai spent the last two years living quietly. There is hardly a stir in his Hong Kong home, but his mind whirs away as an ancient’s phrase here and a poet’s verse there gives meaning to the plight of the times. On this occasion, he muses about quack Covid remedies and a tipple salve recommended in jest. A new take on drowning one’s sorrows?
Feng Chia Night Market, Taiwan's biggest and most popular night market. (iStock)

Cultural historian: How I fled for my life in Taiwan’s Feng Chia Night Market

Cultural historian Cheng Pei-kai visited Taiwan’s famed Feng Chia Night Market during pre-pandemic days on hearing that it is a must-go attraction with cheap and delicious street food. He did find it teeming with food stalls and activity; the array was so dizzying in fact that he got a bit dizzy...