Culture

Chiang Hsun's father riding a horse. (Photo provided by Chiang Hsun)

Taiwanese art historian: What my father taught me

Born in Fujian province in the Republic of China era in the early 20th century, Chiang Hsun’s father was strict and upright to a fault. He left home to join the army at only 14, then meandered across towns and cities, before landing up in Taiwan via the Matsu Islands. Self-disciplined as he was, he let his mind roam free in the books he devoured and in traipsing across the land. As a child, Chiang felt distanced from his austere father. Now, retracing his father’s steps of adventure, he feels close to him at last.
A delicious bowl of Kunshan Aozao noodles. (WeChat/玉茗堂前)

A bowl of Suzhou noodles named by Emperor Qianlong

Cultural historian Cheng Pei-kai is lucky to have tried all ten of the most highly rated noodle dishes in China. Among them, Kunshan Aozao noodles from Suzhou stands out. Best consumed piping hot, this noodle soup served with smoked fish or braised duck leg is steeped in folklore.
A woman takes a photo of a plum tree in Fuzhou, Fujian province, China, 18 January 2021. (CNS)

Taiwanese art historian: A plum blossom and a Yuan dynasty painter’s fateful encounter

Chiang Hsun takes in a plum blossom’s sweet perfume, getting lost in reverie as he pictures Yuan dynasty painter Wang Mian in the lonely mountains seven hundred years ago, painting the masterpiece Plum Blossoms in Early Spring (《南枝春早》) under the tree in full bloom.
Staff of the Shanghai Book Company at an exhibition in 1965, Singapore. (Photo provided by Zhang Langhui)

How the Shanghai Book Company enlivened Singapore's cultural scene

In December 2020, family and friends of Shanghai Book Co Ltd produced a commemorative book of the now-defunct bookstore. Founded in 1925, Shanghai Book Co Ltd played a pivotal role in shaping the consciousness of Chinese-speaking Singaporeans in the 1950s. It was a meeting point of ideas and voices, not only from greater China, but within Southeast Asia. In fact, it had helped to nurture the budding interest of Chinese-speaking young students in Malay language and culture. Teo Han Wue recounts how this bookshop in North Bridge Road, easily stereotyped as Chinese-centric, became instead an emblem of openness and cultural diversity.
A bald winter tree along the river. (Facebook/蔣勳)

Taiwanese art historian: How should I meet my mother in the afterlife — as a child, an adult or an old man?

Time passes but our memories stand still. If all we want in life is to be understood, how lucky we are if we have someone to see us through our many faces and phases. Even if we part, if we see with our hearts, muses Chiang Hsun, we’re sure to recognise each other when we meet again.
A wheat field in Chishang Township, Taitung County. (Facebook/蔣勳)

Taiwanese art historian: My mother waited for her soldier husband to return from war, just like Wang Baochuan

In today’s era, we get instant gratification through a swipe of the phone or a flick of the switch. Could we have done what Tang dynasty wife Wang Baochuan did and waited 18 long years — without phone, wifi or video apps — for her husband Xue Pinggui to return home? Taiwanese art historian Chiang Hsun knows his army wife mother could. It was she who taught him about “Baochuan vegetables”: the stubborn weed of Taiwanese purslane that won’t be stamped out; the pure love that asks for neither company nor reward.
A pu-erh cake and cups of pu-erh tea. (iStock)

Pu-erh: The raw, the ripe and the Qing dynasty 'tribute tea' from Yunnan

Cheng Pei-kai recalls the mellow, earthy appeal of aged pu-erh, where tea leaves are compressed into cakes and left to ferment for decades to develop a complex flavour. Recently, he also got the chance to taste a young pu-erh — made with tea leaves from a tree that Qing dynasty soldiers used to guard and which was sent to the emperor as “tribute tea”, no less.
A vendor arranges books at her stall at the Panjiayuan antique market in Beijing, China, on 19 November 2020. (Noel Celis/AFP)

Are the Chinese truly collecting art?

With China’s increasing affluence, the nouveau riche are investing in art and cultural artefacts. Wu Zetian’s pleated skirt, exquisite paper from the Southern Tang dynasty, a painting by early 20th century painter Qi Baishi — authentic or not, all are fair game and acquired at the best price. What a shame, says cultural historian Cheng Pei-kai. If only the collector’s hand is not sullied by such commerce.
People wearing face masks walk along a shopping centre in Wuhan, Hubei province, China, on 1 January 2021. (Noel Celis/AFP)

'Perhaps we are from the same hometown?': A reflection on human relations throughout Chinese history

In this life, are we journeying together or just passing ships in the night? Chiang Hsun ponders the degrees of separation between people who share the same earth. What keeps us walking in parallel, never breaking down customary barriers?