Culture

Singapore Chinese Cultural Centre CEO Low Sze Wee traces the origins of Nanyang art, the shaping of the identity of the “Nanyang artists” through the years, and the relevance of this movement to Singapore’s art history.

As far as a passion for tea goes, cultural historian Cheng Pei-kai meets his match in a tea shop owner in Sham Tseng. The tea connoisseur is an alchemist almost as he varies the ingredients and brewing methods to concoct the most memorable teas.

Former journalist Lim Jen Erh remembers the delicious da rou bao or large steamed meat buns he used to scarf down as a kid. They don’t make them like they used to, but the memory of its luscious taste is intact, triggered instantly by old photographs of bustling teahouses of old Singapore.

Being his mother’s good helper in the kitchen for many years, Taiwanese art historian Chiang Hsun got to experience cooking with firewood, charcoal and of course the everyday natural gas. He is convinced that a different fire and stove begets a different flavour in food. Taiwan today is fortunate to have access to fire at the flick of a switch but this could all change. Lucky thing for Chiang, some firewood is all he needs to make his favourite scorched rice snack.

Taiwanese art historian Chiang Hsun remembers his trips to the market as a child which taught him more than he could ever learn in schools about life and humanity. From the back lanes of 44 Kan Site, a shopping street that used to house exactly 44 shops, he would peek into courtyards and encounter the kindness of shop owners; from the varied stalls of Dalong Market, he learnt about the sanctity of life of all living beings, human or animal.

In Pu’er, Yunnan, if you get the chance to meet the Lahu, Wa, Yi, Hani or the Dai people, you’d be blessed, as cultural historian Cheng Pei-kai was, with their down-to-earth hospitality. Their ties to the land and their traditions are captured beautifully in Can’t Bear to Part, a folk song that every Pu’er native knows.

On a walk in the deserted Lingfeng Temple near Yuquan Botanical Garden in Hangzhou, cultural historian Cheng Pei-kai muses that peace and quiet is a blessing but a kiss of death for small teahouses trying to make a living. Also, memories of days gone by may be blurry over time. Either that or things have really changed, and one must face the sad reality that the good old days can never be brought back.

Catching sight of a rare native flower in bloom, art historian Chiang Hsun ponders beauty in diversity and the unique heritage of the indigenous people of Taiwan’s Orchid Island.

Teo Han Wue laments that we are not doing enough to remember the remarkable contributions that Singapore’s pioneers of the arts have made. Singapore’s early artists and theatre practitioners were the avant-garde who went beyond the tried and tested in China or elsewhere. If we don’t remember our past achievements, how can we be inspired to produce greater things in the future?