Culture

Strolling in the autumn light, Taiwanese art historian Chiang Hsun remembers that his mother always requested for fabrics in the colour of “autumn’s scent”. If fragrance sets a mood, and that mood can be captured in a mood board, what would that scent look like? Perhaps at the very least, it’d be a rich, mellow shade of dust settling on the seasons.

Cloistered in Chishang township in Taiwan’s Huadong Valley for the past four months, Chiang Hsun has no choice but to face himself in all its foibles. At peace with himself, he is at peace with the world. He revels in beautiful sights, as if he’s the only one let in on nature’s little secret. Just as he readies to leave, tourists trickle back into Chishang, bringing a bit of a bustle with them. May their hearts be still, says Chiang, to see the beauty that lies before them.

Based in Shanghai, Egyptian-American architect Hisham Youssef has travelled to many off-the-beaten-track locations across China. He shares his observations about the impact of organised mass tourism on the countryside. With transport links improving and tourists arriving in droves, will tangible heritage be eroded and undiscovered gems become a thing of the past?

Renowned historian and sinologist Yü Ying-shih passed away earlier this month. Chinese culture and history enthusiasts may be familiar with his life’s work on Chinese history and observations of contemporary China, but few may know that he has a connection to Singapore’s history. During the 1980s, the education ministry explored the prospect of teaching Confucian ethics in schools. In the process, they tapped the expertise of eminent scholars such as Prof Yü. Did the experiment bear fruit in the end?

Renowned American historian and sinologist Yü Ying-shih passed away on 1 August 2021 aged 91. ThinkChina reproduces this essay which cultural historian Cheng Pei-kai wrote last year to commemorate Professor Yü's 90th birthday. As Cheng's teacher of over 40 years, one of the greatest lessons Professor Yü had taught Cheng was to be a historian with a heart and a sense of sympathy. One must learn to listen to the wind, rain, laughter and crying in human history.

Many Chinese refer to ghosts and spirits as "good brothers". Now that the Gates of Hell are open during the Ghost Festival, art historian Chiang Hsun asks how one is to get along with the deceased who have come back? Would it be like strangers crossing paths, or would one recognise the other? And should we dismiss these folk beliefs as mere superstitions?

In our periods of isolation, even desolation through the pandemic, one can become cautious about forming bonds. A stray cat Chiang Hsun befriends reminds him that humans can’t help but care about one another, even when they pretend not to care. Yet they’re also guilty of caring too much, cocooning themselves to protect what they have. Will we ever learn to let go and have a good rest, defenceless?

Looking out from his balcony in Hong Kong’s Wu Kai Sha, flanked by the mountains and the sea, cultural historian Cheng Pei-kai reflects on the unpredictability of life. Travelling from Shanghai to Taiwan in 1949 as an infant, had he made the journey one day later, he might have perished in the sinking of Chinese steamer Taiping (太平轮). Meanders in Taiwan and the US took him finally to Hong Kong, a place he never thought he’d call home. The wanderer has settled down at last.

Cultural historian Cheng Pei-kai enjoys a refreshing bowl of swamp eel noodle soup in Zhenjiang, Jiangsu province. He reflects that this local dish continues to be made by nameless chefs in a simple shop frequented by unassuming diners. But there’s nothing simple about that broth — simmered down with generations of humble cooking, it’s nothing short of heavenly.