Architecture

While hutongs are a unique historical sight in Beijing, they are quickly disappearing as people move out and relocate to government housing with modern amenities. Those who remain are generally the older generation, while the look and function of hutongs is also changing. How much longer will hutongs last?

An eight-storey building adjacent to the Changsha Medical University collapsed on 29 April, killing 54 people, mainly students. It turned out that the building was a "self-build" that had been modified by the owners rather than constructed by developers. Authorities are now clamping down on safety inspections of building structures, but is it a case of too little, too late?

On 14 October, an old building in Kaohsiung went up in flames, killing 46 people. That is not the only ageing building in Taiwan; hundreds of buildings are growing old along with the residents that live in them. Zaobao correspondent Woon Wei Jong visits a few of these older developments and speaks to the residents for a better idea of their living conditions and the fire hazards they face on a daily basis.

After ten years of living in Shanghai and seeing the rapid changes to the city, Egyptian-American architect Hisham Youssef takes us on a nostalgic and personal photographic tour of the lanes and neighborhoods that, until very recently, stood in the city he now calls home.

From a laser-etched calligraphy in a restaurant, art historian Chiang Hsun delves into the writings of Qing dynasty painter and calligrapher Zheng Xie, better known as Zheng Banqiao. Zheng was part of the “Eight Eccentrics of Yangzhou” group of painters who had wealthy businessmen patrons and developed an aesthetic grounded in the material and secular. Bright and colourful scenes of mirth were common — unlike the Song and Yuan dynasty literati before them who indulged in melancholic musings above worldly concerns. Contemporary ink artists may want to get some inspiration from Zheng's works, and boldly declare the feelings and observations of the times.

A balcony can simply be a perch from which to admire the sea, or for Shakespeare fans, it is associated with a key scene from Romeo and Juliet. For ancient Chinese literati however, it conjures up scenes of forbidden trysts and has been woven into poems by illustrious poets, from Song Yu to Li Bai and many others.

Playing in the screw pine (pandan) jungles of Taiwan was a childhood pastime for Chiang Hsun. But he had to be careful; screw pines were sharp and spiky, and had a dark folklore dogging its back — the ghost of Sister Lintou clinging to all its swaying leaves. Will the skies clear one day, for the screw pine jungle and for this island too?

Like the gentlemen in poems of yore who were love-struck by fair maidens, Cheng Pei-kai falls in love with Suzhou at first sight. His is a cultural love story that has stood the test of time.

Like a song, a place can trigger a memory, an emotion. Preserving little landmarks is akin to preserving the collective memory of a city, says Chiang Hsun. Shared memories, more than any loud declaration, are the cornerstone of a people’s culture, heritage and sense of belonging.