Architecture

Boy and schoolgirl walk through a boarded-up neighbourhood in Laoximen.

An Egyptian-American architect's poignant photographs of disappearing Shanghai neighbourhoods

After ten years of living in Shanghai and seeing the rapid changes to the city, Egyptian-American architect Hisham Youssef takes us on a nostalgic and personal photographic tour of the lanes and neighborhoods that, until very recently, stood in the city he now calls home.
An aerial shot of people walking through the Zhuyuwan Scenic Area and admiring the blooming flowers in Yangzhou, Jiangsu province, China, 21 February 2021. (Xinhua)

Qing dynasty ‘eccentric’ painter Zheng Banqiao: Art is commodity and beauty is physical

From a laser-etched calligraphy in a restaurant, art historian Chiang Hsun delves into the writings of Qing dynasty painter and calligrapher Zheng Xie, better known as Zheng Banqiao. Zheng was part of the “Eight Eccentrics of Yangzhou” group of painters who had wealthy businessmen patrons and developed an aesthetic grounded in the material and secular. Bright and colourful scenes of mirth were common — unlike the Song and Yuan dynasty literati before them who indulged in melancholic musings above worldly concerns. Contemporary ink artists may want to get some inspiration from Zheng's works, and boldly declare the feelings and observations of the times.
What image does a balcony conjure up in the minds of ancient Chinese literati? (iStock)

The balcony: A metaphor for eroticism in Chinese literature

A balcony can simply be a perch from which to admire the sea, or for Shakespeare fans, it is associated with a key scene from Romeo and Juliet. For ancient Chinese literati however, it conjures up scenes of forbidden trysts and has been woven into poems by illustrious poets, from Song Yu to Li Bai and many others.
The scenic Qixingtan Beach. (iStock)

Taiwanese art historian: Searching for peace and strength on the island of Taiwan

Playing in the screw pine (pandan) jungles of Taiwan was a childhood pastime for Chiang Hsun. But he had to be careful; screw pines were sharp and spiky, and had a dark folklore dogging its back — the ghost of Sister Lintou clinging to all its swaying leaves. Will the skies clear one day, for the screw pine jungle and for this island too?
The charming Master of the Nets Garden in Suzhou. (iStock)

When a professor falls in love with Suzhou during the Cultural Revolution

Like the gentlemen in poems of yore who were love-struck by fair maidens, Cheng Pei-kai falls in love with Suzhou at first sight. His is a cultural love story that has stood the test of time.
Train stations are part of the collective memory of generations of commuters who used them. (iStock)

History, collective memory and the beauty of Taiwan's old train stations

Like a song, a place can trigger a memory, an emotion. Preserving little landmarks is akin to preserving the collective memory of a city, says Chiang Hsun. Shared memories, more than any loud declaration, are the cornerstone of a people’s culture, heritage and sense of belonging.
Ke Huanzhang (left) and Liu Thai Ker are veteran urban planners in China and Singapore. (SPH)

Liu Thai Ker and Ke Huanzhang: Urban planners are servants of the city

How do urban planners go about their work and what contributions do they make to the building of liveable cities? Ke Huanzhang, former head of the Beijing Academy of Urban Planning and Design, is all for the seamless melding of a good ecological environment, living facilities, jobs and public services in a city. Liu Thai Ker, the former chief architect and CEO of Singapore’s Housing Development Board, says a good planner needs to have the heart of a humanist, the brain of a scientist, and the eye of an artist. Tan Ying Zhen speaks to the veteran urban planners as part of a series of fireside chats put together to commemorate the 30th anniversary of diplomatic relations between Singapore and China.
Architecture designs of Mok Wei Wei (left) and Chang Yung Ho.

Architects Mok Wei Wei and Chang Yung Ho: Imagining and building a humane city

Singaporean architect Mok Wei Wei and Chinese architect Chang Yung Ho are both well-respected professionals who have made contributions to the architectural heritage of their countries. Looking at architecture from the perspective of cultural infrastructure to be embedded into the contemporary urban fabric and to be left behind for future generations, both architects have worked hard to design the buildings that will satisfy these needs, and to convey the modern architectural language of their time and place. Lianhe Zaobao correspondent Lim Fong Wei speaks to the architects as part of a series of fireside chats put together to commemorate the 30th anniversary of diplomatic relations between Singapore and China.
The Giant Buddha overlooks the waters and Leshan city. (iStock)

Giant Buddha and sponge cities: Combating floods where three rivers meet

The recent floods in Sichuan were serious enough to wet the feet of the Leshan Giant Buddha, which sits on a platform at 362 metres above sea level at the confluence of the Dadu, Qingyi, and Min rivers. Academic Zhang Tiankan explains that while the Giant Buddha represents the ancient Chinese's wisdom in combating floods, modern-day Chinese will need to step up the building of “sponge cities” to prevent floods.