What do creatives have in common and how differently do they interpret and make sense of the world around them? A chat with Singaporean photographer John Clang and Chinese photographer Zhou Yang gives a glimpse of that exploration. Each photographer has his own approach: Clang takes an almost anthropological perspective by drawing inspiration from those around him, be they friends or complete strangers; Zhou delves into the camera of the mind — the memory — and uses it to tell larger stories about the past and present. Lianhe Zaobao journalist Wang Yiming speaks to the photographers in the first of several fireside chats put together to commemorate the 30th anniversary of diplomatic relations between Singapore and China.
Cicadas are peculiar creatures of nature. They spend years burrowing underground before they emerge from the undergrowth, make a racket, and return to dust just a short time later. Art historian Chiang Hsun reflects on life and death as he listens to the cicada’s chant on a hot summer’s day.
Baoli, a student at Peking University, committed suicide because of her boyfriend and died this early April. Young academic Lorna Wei examines the case and bemoans the sad situation of both men and women holding parochial attitudes in China towards a woman’s virginity. In extreme cases, the vulnerable may fall prey to grave self-harm, even death.
Views on the afterlife interestingly shed light on one’s approach to life, says Gordon Mathews of The Chinese University of Hong Kong. He and his team find out what American, Chinese and Japanese views on death say about their lives. As the Covid-19 epidemic rages across the world, an understanding of different countries' philosophies on mortality may even be more apt.
The word "ghost" (gui) is commonly found in the Chinese lexicon. Professor Poo Mu-chou draws links between history, culture and one’s personal experience to interpret the way humans conjure ghosts up in their own image and likeness in a bid to understand the inexplicable.