While some businessmen have good intentions in offering goods and services at lower prices, they could also be “spoiling the market” and making it harder for others to make a living. Such actions may invite backlash, whether in village scuffles, or writ large, protests and anti-dumping measures between countries. China, the world’s factory, has borne the brunt of such pushback. Industries in other countries are affected, as capital moves freely between borders but labour stays in place. Those who feel they are losing out may hold grudges and end up dealing a big blow to society.
Contrary to stereotypical pronouncements of British cuisine as unappetising and boring, modern British fare is often delicious, featuring seasonal produce cooked to perfection, finds cultural historian Cheng Pei-kai. On a starry night, these dishes make a good accompaniment to chats on Shakespeare and Chinese playwright Tang Xianzu.
Cultural historian Cheng Pei-kai recalls with fondness Xiamen Street where he had stayed as a child, a thoroughfare with plenty to explore. Fishmongers deft with their knives, puppeteers recreating mammoth duels, pushcart hawkers with irresistible snacks, stationmasters holding fort at the train station — these characters made youngsters' lives outside the classroom full of colour and life.
Reviews have been mixed after Shibati, Chongqing’s oldest central business district, reopened to great fanfare recently. Some were glad that the former messy, dilapidated quarter has been refreshed, while others feel that it has been turned into another “ancient street”, devoid of a sense of its rich history and heritage. Where should the fine balance be, in the preservation of tangible heritage, when multiple stakeholders and business interests are involved?
Professor Wang Gungwu, recipient of the 2020 Tang Prize in Sinology, delivered a Tang Prize Laureate Lecture at Tang Prize 2021 on 20 November. In tracing China’s history from empire to nation, he relates in tandem his journey of becoming a historian, from being a Chinese overseas in his youth, then returning briefly to the motherland before starting a new life in a new country. “That seemed like the real meaning of my leaving China,” he says, “ requiring me to think as a huaqiao settling down as a citizen of a foreign country... But I did learn that I could leave China but China did not leave me.” Whether in his studies of the Five Dynasties period of the 10th century or Mao’s China and the struggle to find its future after throwing away its own past, he noted that wen (文)-texts supported central power and shaped the system’s collective memory, and were most useful as the shi (史) records of every dynasty. This nexus can perhaps help us understand how one Confucian past could serve to denigrate one set of leaders but provide greater legitimacy for another, and how the continuity of China’s history can be preserved in the future.
Cultural historian Cheng Pei-kai visited Taiwan’s famed Feng Chia Night Market during pre-pandemic days on hearing that it is a must-go attraction with cheap and delicious street food. He did find it teeming with food stalls and activity; the array was so dizzying in fact that he got a bit dizzy...
Some Japanese politicians have the practice of marking the anniversary of the end of WWII for Japan by visiting the Yasukuni Shrine to pay tribute to the war dead. Even after more than 75 years, emotions run deep especially in China, which has registered its unhappiness at these visits. Japanese academic Shin Kawashima examines how Yasukuni Shrine visits can be used to gauge the state of Japan-China relations.
Strolling in the autumn light, Taiwanese art historian Chiang Hsun remembers that his mother always requested for fabrics in the colour of “autumn’s scent”. If fragrance sets a mood, and that mood can be captured in a mood board, what would that scent look like? Perhaps at the very least, it’d be a rich, mellow shade of dust settling on the seasons.
Renowned American historian and sinologist Yu Ying-shih passed away on 1 August 2021 aged 91. ThinkChina reproduces this essay which cultural historian Cheng Pei-kai wrote last year to commemorate Professor Yu's 90th birthday. As Cheng's teacher of over 40 years, one of the greatest lessons Professor Yu had taught Cheng was to be a historian with a heart and a sense of sympathy. One must learn to listen to the wind, rain, laughter and crying in human history.