Nature

If more than a million coronavirus deaths around the world have yet to humble us, maybe the unassuming turtle dove can teach us a thing or two.

Art historian Chiang Hsun stays awhile with a comforting big tree in the wilderness. He admires its steadfastness, its sturdiness, its generosity. He takes heart as his unassuming friend shows us that we all have it in us, whatever our beliefs, to be the bigger person, to give shade, to give rest to those around us.

Art historian Chiang Hsun remembers a lone Chinese snowball flower from his many overseas trips. Its pristine beauty was its allure. In this world where fakes abound, this image, lodged deep in his memory, is proof that authenticity exists.

All his life, Ming dynasty playwright Tang Xianzu only wanted to stay true to himself, to do good and to make a mark. In his life as a government official, he sat on the sidelines and saw his ambitions erode with time. But he kept intact his passion for literary writing, gifting the world he left behind with classics such as The Peony Pavilion. Amid brokenness and deceit, he saw only beautiful things that were good and pure. Whether the world he created is a reality to be attained or a mirage...the dream lives on.

In Chinese terminology, the colour which looks a lot like cyan is called qing (青). Yet it is used in many contexts and may even refer to black. What do we mean when we say qing and what do we understand by it? The permutations are vast, if we are open to them. In a similar vein, fixated ideas or assumptions can be the very barrier that obstructs one from seeing that which is truly beautiful. Free your mind, let loose a little, art historian Chiang Hsun says, to experience life in its full splendour.

The recent floods in Sichuan were serious enough to wet the feet of the Leshan Giant Buddha, which sits on a platform at 362 metres above sea level at the confluence of the Dadu, Qingyi, and Min rivers. Academic Zhang Tiankan explains that while the Giant Buddha represents the ancient Chinese's wisdom in combating floods, modern-day Chinese will need to step up the building of “sponge cities” to prevent floods.

The building and landscape architecture of Suzhou Museum has been lauded for its intricate blend of old and new. Cultural historian Cheng Pei-kai is in awe of the late architect I.M. Pei, but sees at the same time, the need for man-made landscapes to blend into their natural environment. Otherwise, the handprints of their maker will all be too visible and the result far from the scenes of nature it was precisely trying to capture.

Art historian Chiang Hsun sifts through countless shades of purple. Like the vicissitudes of life, they are at once strong yet fragile, beautiful yet complex, and transient yet everlasting.

Cicadas are peculiar creatures of nature. They spend years burrowing underground before they emerge from the undergrowth, make a racket, and return to dust just a short time later. Art historian Chiang Hsun reflects on life and death as he listens to the cicada’s chant on a hot summer’s day.