Heritage

Taiwanese art historian Chiang Hsun reminisces about the good old days of simple food and heartfelt folk religious festivals, where regular households threw banquets and opened their doors to friends and strangers. It is in those vignettes of daily life that all of Taiwan’s generosity, harmony, magnanimity and acceptance are on display.

In the last of four articles, cultural historian Cheng Pei-kai shares his impressions of the Moscow he knew from a decade ago. On a day trip from Moscow, he is awed by St. Sergius Monastery, the spiritual centre of the Russian Orthodox Church.

As Singapore celebrates its 57th national day, Zaobao senior correspondent Chia Yei Yei shares her thoughts on the importance of understanding one’s ancestry in defining one’s identity. In a multicultural country, a Singaporean’s identity goes beyond that of merely being Chinese, Malay or Indian.

Catching sight of a rare native flower in bloom, art historian Chiang Hsun ponders beauty in diversity and the unique heritage of the indigenous people of Taiwan’s Orchid Island.

Teo Han Wue laments that we are not doing enough to remember the remarkable contributions that Singapore’s pioneers of the arts have made. Singapore’s early artists and theatre practitioners were the avant-garde who went beyond the tried and tested in China or elsewhere. If we don’t remember our past achievements, how can we be inspired to produce greater things in the future?

With Singapore HeritageFest around the corner, ThinkChina’s Charlene Chow counts the ways she finds a friend in chicken rice.

Tracing the evolution of China’s development, Malaysian academic Peter T.C. Chang pays tribute to historian Wang Gungwu and his contributions to the study of Chinese overseas. Wang continues to play a major role in the field as a member of a pioneering class of bridge-building scholars who are adept at explaining China to the world, and the world to China. This is an edited version of the book chapter “A Pioneering Class of Bridge-Building Junzi” from the book Wang Gungwu and Malaysia (2021) published by the University of Malaya Press.

Cultural historian Cheng Pei-kai recalls with fondness Xiamen Street where he had stayed as a child, a thoroughfare with plenty to explore. Fishmongers deft with their knives, puppeteers recreating mammoth duels, pushcart hawkers with irresistible snacks, stationmasters holding fort at the train station — these characters made youngsters' lives outside the classroom full of colour and life.

In part 2 of his reflections on the Chinese countryside, Egyptian-American architect Hisham Youssef asserts that local communities must be involved in the nation’s drive for rural rejuvenation. These can be projects that promote local culture and craft, rather than tourism per se. Perhaps through such efforts, the soul of these communities can be preserved and these rural gems can truly live on for generations to come.