Culture

Cultural historian Cheng Pei-kai was looking forward to sampling seasonal dishes during his recent visit to Hangzhou. Alas, not all restaurants are well prepared enough to serve up every seasonal dish a diner desires. Better luck next time.

Former journalist Lim Jen Erh describes his habit of carrying a notebook with him and filling them with his thoughts and doodles. For him, this process is as rigorous and rewarding as writing “secret manuals” of life. Rather than finding secret formulas to live by, he composes them for himself, leaving a trail of clues to look back and ruminate on as life goes on.

With Singapore HeritageFest around the corner, ThinkChina’s Charlene Chow counts the ways she finds a friend in chicken rice.

Cultural historian Cheng Pei-kai remembers the days when he lived at the foot of a hill in Hong Kong’s Kowloon Tong district. He enjoyed the serene calm and respected nature’s bounty, but he can’t say the same for some hill visitors who would ”abuse” the trees and take them for granted. Even giving trees will one day be worn out.

Art historian Chiang Hsun counts the ways that the hit Korean drama series Squid Game puts humanity to shame. The rich and powerful exploit the weaknesses of the poor while the ordinary man is given a choice but can’t help but choose the wrong choice each time. Life is one reckless gamble we willingly take, all for the chance of living a dream.

Translation studies professor Xiao Weiqing muses that the media and the Chinese Olympic Committee must have taken great pains to standardise and romanise Chinese names in their coverage of the Winter Olympics.

Teo Han Wue has always believed that one need not be literate in the Chinese language to appreciate calligraphy. He was heartened that many others seem to share his view, going by how well-received a photograph of Singaporean poet-calligrapher Pan Shou’s calligraphy was at his solo photography exhibition recently. Without him regaling them with tales of Pan Shou, they found their own delight appreciating this artform through an image of an image.

Cultural historian Cheng Pei-kai had an uncanny stroke of poetic inspiration or even possession, when he hazily “composed” American poet Marianne Moore’s works after a visit to the dentist. Might the gods have cast a spell on him and given him an experience of Zhuangzi’s butterfly dream?

Cultural historian Cheng Pei-kai recalls relaxing jaunts to the hot springs of Taiwan’s Beitou District and later Hokkaido. He muses that the hot spring’s power to rejuvenate and heal were appreciated and documented by Chinese ancients long before it was thought to be a Japanese domain.