Culture

As far as a passion for tea goes, cultural historian Cheng Pei-kai meets his match in a tea shop owner in Sham Tseng. The tea connoisseur is an alchemist almost as he varies the ingredients and brewing methods to concoct the most memorable teas.

The Tangshan assault case unearths deeper societal issues such as an insidious guanxi culture that has condoned the practice of turning a blind eye. Worse, ordinary folk no longer even bat an eyelid at such “norms” anymore. When that happens, is the recent violence enough to jolt society and the authorities to do things differently?

Former journalist Lim Jen Erh remembers the delicious da rou bao or large steamed meat buns he used to scarf down as a kid. They don’t make them like they used to, but the memory of its luscious taste is intact, triggered instantly by old photographs of bustling teahouses of old Singapore.

EAI academic Lance Gore notes that China’s “peaceful rise” is a particular hard sell because it involves the rise of a major heterogeneous civilisational power, which is different from the mere transfer of hegemony between states from the same civilisation. Thus China needs to work on gaining acceptance from the international community by conveying the merits of its civilisational traits and avoiding pitfalls such as a reversion to cultural dead wood or failed Marxist orthodoxy.

Taiwanese art historian Chiang Hsun remembers his trips to the market as a child which taught him more than he could ever learn in schools about life and humanity. From the back lanes of 44 Kan Site, a shopping street that used to house exactly 44 shops, he would peek into courtyards and encounter the kindness of shop owners; from the varied stalls of Dalong Market, he learnt about the sanctity of life of all living beings, human or animal.

In Pu’er, Yunnan, if you get the chance to meet the Lahu, Wa, Yi, Hani or the Dai people, you’d be blessed, as cultural historian Cheng Pei-kai was, with their down-to-earth hospitality. Their ties to the land and their traditions are captured beautifully in Can’t Bear to Part, a folk song that every Pu’er native knows.

Recently, there has been an uproar in China over illustrations in school textbooks, with comments that the characters drawn are “ugly”, with some depicted in suggestive poses and wearing questionable designs on clothing. Is this merely a question of aesthetics, or does the problem go deeper? Zaobao correspondent Yu Zeyuan looks into the issue.

Former journalist Lim Jen Erh gets nostalgic about the Chinese textbooks he used growing up in Singapore. He remembers the illustrations depicting daily life in the 1960s and 1970s, not to mention historical events and the larger social milieu. In fact, the textbooks are not only a window into times past but a peek into the minds of those who wrote and studied them.

China’s education ministry recently introduced a new curriculum for primary and secondary students with the aim of teaching life skills. From cooking to technology applications, young children will be better equipped to face society. However, parents have voiced their concerns about the added burden on both children and parents.